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Paul Knorr Violin, Markneukirchen, 1929
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Paul Knorr Violin, Markneukirchen, 1929

Paul Knorr Violin, Markneukirchen, 1929

Labeled:
Paul Knorr
Markneukirchen
Anno 1929

Branded below label:
P.*K.

Back Length: 355mm
Upper Bout: 167mm
Center Bout: 113mm
Lower Bout: 207mm

Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.

$6,650.00

Original: $19,000.00

-65%
Paul Knorr Violin, Markneukirchen, 1929—

$19,000.00

$6,650.00

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Paul Knorr Violin, Markneukirchen, 1929 - Image 2
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Paul Knorr Violin, Markneukirchen, 1929 - Image 4
Paul Knorr Violin, Markneukirchen, 1929 - Image 5

Paul Knorr Violin, Markneukirchen, 1929

Labeled:
Paul Knorr
Markneukirchen
Anno 1929

Branded below label:
P.*K.

Back Length: 355mm
Upper Bout: 167mm
Center Bout: 113mm
Lower Bout: 207mm

Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.

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Description

Labeled:
Paul Knorr
Markneukirchen
Anno 1929

Branded below label:
P.*K.

Back Length: 355mm
Upper Bout: 167mm
Center Bout: 113mm
Lower Bout: 207mm

Paul Knorr, born in 1882, studied violinmaking with Dolling. Working in Berlin and Breslau, he established himself in the Markneukirchen workshop of F & R Enders in 1918. Starting in 1921, Knorr became and independent maker. Attaining mastery of his craft, Knorr was highly respected for wood and material selection. He was also adept at following the patterns, approach, and varnishing techniques of the Cremonese masters.

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